posted on
Beginning in Level Two, we will start looking at the left-hand fingerings of each piece closely as the textures of the pieces start becoming more complex. If you have studied the pieces of Level One …
Continue Reading about C2.2.04. Study Op.60, No.1 by F. Sor – Close-up View →
posted on
This is an 'i'-'m' alternation exercise that will improve your accuracy on string crossings with a random number of notes per string. …
posted on
One of the most common ways of breaking up a four-string chord. You will find the first example of this technique in 'Study,' Op. 60 by F. Sor. …
posted on
The notes on the fifth fret on each string (except the third string) correspond to the notes on the open string below. On the third string, it is the fourth fret that is the same as the open second …
Continue Reading about C2.2.01. Open string pitch equivalences →
posted on
A 'p'-'i'-'a'-'m' arpeggio where 'p' and 'i' are played at the same time. …
posted on
A 'p'-'m'-'i'-'a' arpeggio where 'p' and 'm''are plucked together. …