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In this passage, the basic texture consists of two melodic notes, followed by two accompaniment notes. Toward the end, you will add legato notes. When playing these legato notes, make sure that you …
Continue Reading about C4.7.15. Study in D major – Spot Practice →
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A great Sor Etude that includes three- and four-string bars. …
Continue Reading about C4.7.14. Study no.6 by F. Sor – Close-up View →
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During the bar chord passages, apply the gravity and leveraging approach that you have learned in the snap bar exercises, but not necessarily snapping your fingers on the frets. …
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Pay attention to the left-hand fingering towards the end of this passage. The non-standard fingerings that you see your instructor demonstrate will help you make the transitions more smoothly. …
Continue Reading about C4.7.12. Mi favorita – Spot Practice →
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This is a Renaissance piece by J. Dowland. It is a good study for transitions between chordal and melodic phrases. …
Continue Reading about C4.7.01. Pavana by L. Milan – Close-up View →
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In order to get full volume out of these harmonics, lightly touch your left hand finger on the overtone nodes (fret nos. twelve, seven, five, four, . . .), and lift immediately after plucking the …